So back at E3 2012, a couple of weeks ago, I was delighted to get the chance to sit down with an industry veteran, Christian Allen, who’s now becoming responsible for bringing the hardcore tactical shooter back to the market, where more casual shooters have left a large subsection of the gamer audience clamouring for more depth, more realism and better tactical gameplay. Project Takedown reached its Kickstarter funding goal back at the beginning of April, and the team at Serellan is now getting stuck into the development, working to reintroduce the genre, eschewing certain elements of modern FPS design that have begun to compromise the shooter experience, in favour of a more old-school approach.
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Toby Edwards is a freelance games journalist and avid gamer on all platforms. He writes a news, reviews and editorial gaming blog at www.MyTwoSenses.com and has a twitter of the same name @mytwosenses.
DayZ, Dean “Rocket” Hall’s zombie survival mod for Bohemia Interactive’s Arma II, has exploded over the face of the internet’s games community. This is not just ‘some zombie game’ to add to the pile of industry’s most ubiquitous theme – it’s what everyone, from the word go, has been asking for from a zombie game: open-world realistic survival.
Bohemia Interactive released Arma 2 three years ago, and thanks to its expansive open world and realistic design, space for player creativity and extensive mod support, it’s still going strong if sales and the activity of the community are anything to go by; which they are. BI’s approach to its sequel, I’m assured by Jay Crowe, Creative Director, is that of building upon that solid base, developing new innovations and features that can latch onto their powerful in-house Real Virtuality engine.
It’s here. Electronic Entertainment Expo 2012, better known as E3, has kicked off in Los Angeles and just like 
Thatgamecompany is back with their third game, Journey, which sees the player travel across a strange and beautiful land to their ultimate destination, with other real players accompanying them along the way. While the gameplay and visuals are unique, the ethos and atmosphere behind Journey harks back to the wonderful worlds of both flOw and Flower. And much like its predecessors, exposition is a visual experience, left for the player to interpret.
Our old friend Ezio Auditore is back for one final romp, and this yearly dose of conspiratorial frolics since 
Deus Ex: Human Revolution has a hefty weight on its shoulders: the expectations and apprehensions of thousands of fans of the 
In the school playground of shooters, Bulletstorm is the sailor tongued big kid whose motivation for the next wedgie lies more in the prospect of beating his personal record, than in any angsty hatred. People Can Fly’s new shooter is brazen and unabashedly brutal, but does the sci-fi butcher-fest successfully make its retaliation to the ubiquitous Call of Duty and its wannabes, and more importantly, is it the romp one hopes it to be?
The Transformers universe is a rich host of lore and metallic ass-kicking that in recent years has been subjected to a few sub par games which failed to capture the feel and fluidity of Transformers combat, not to mention mimicking Michael Bay’s widely disrespected Transformers movie offerings. But High Moon Studios has been working closely with Hasbro on creating Transformers: War for Cybertron, a game set to explore how the war between the Decepticons and Autobots actually unfolded on their home planet, before they were forced to pay the human race a visit.